The Hitman’s Wife’s Bodyguard’s relies too much on the chemistry of its actors to comically elevate an otherwise rambling action flick.
2021 The bodyguard of the hitman’s wife is an action comedy that excels when it takes a step back from its sloppy plot and embraces the charming chemistry of the film’s star power. However, the rest of the film is jam-packed with action snaps, forgettable B-roll footage from the Italian countryside, and lazy comedic gags that sadly weigh on an otherwise fun movie.
After the events of 2017 The bodyguard of the hitman, the sequel follows former top bodyguard Michael Bryce (Ryan Reynolds) and the aftermath of his decision to save his unlikely friend / professional hitman Darius Kinkaid (Samuel L. Jackson) from a gunshot wound. Despite Bryce’s attempts to relax on vacation in Italy, he finds himself forced to once again save Kinkaid alongside Kinkaid’s wife, Sofia (Selma Hayek). Quickly, the trio find themselves drawn into the ruin of a complex plan by the powerful Greek actor Aristotle Papadopolous (Antonio Banderas), which, if successful, would result in the destruction of all of Europe’s infrastructure – in revenge. for the economic sanctions imposed on the nation. from Greece.
The plot of the film is often put aside due to minor distractions leading the trio to different parts of Italy. As with the first film, the real driving force behind the story is the sarcastic back-and-forth between the stars of the film: Reynolds, Jackson and Hayek. Hayek and Jackson are clearly having fun as destructive Kincaids and constantly feuding. Reynolds is torn between a rock and a hard place, however, with the script forcing him to poke fun at someone before reverting to the more passive and established old bodyguard. He’s much nicer as an inherently more passive character who is constantly having life hit him on the back of the head, giving him a little more reach and comedic possibilities.
Bryce is hit with cars and blasted with a shotgun and still gets no respect. Unlike the literal scratch jokes used repeatedly throughout the film, there are some cutaway gags that work when actors have the chance to bounce back and amplify their natural chemistry. Aristotle de Banderas is an underused character, but he stops his performance altogether at a memorable level in his few crime scenes with Hayek. Still, there are those cartoonish moments where the film actually shows promise – a Looney Tunes/John wick hybrid that could potentially function as pure comedy – if it fully engaged in those elements. For example, the bodyguard community has its own bizarre rewards industry. At one point, Richard E. Grant dances onscreen to almost ruin an undercover mission.
Instead of, The bodyguard of the hitman’s wife quickly turns into a mishmash of different concepts and tones, ranging from the James Bond-lite shots of Aristotle de Banderas to the rhythms of the ‘thug cop’ story that squander Frank Grillo, Alice McMillan and Caroline Goodall by little ends. Even the reveal of Morgan Freeman’s role – as an unexpected gag that turns out to be more tied to the overall story – ends up weighed down by conflicting motivations. Tom O’Connor’s, Brandon Murphy, and Phillip Murphy’s screenplay is most engaged when it’s silly, and the aimless narrative is more or less replaced by extensive advertising for the Italian Travel Board.
Directed by Patrick Hughes, The bodyguard of the hitman’s wife never try to be unique in your look. The previous film worked on her star power, primarily pitting Reynolds and Jackson against the world as their primary source of comedy. When these comic and inter-character dynamics appear in The bodyguard of the hitman’s wife, the movie is inherently fun. When the movie takes it to another level, the movie is actually enjoyable and funny like a broad comedy about assassins, but the rest of the movie plays out like a series of action movie shots that aren’t worth the sum of. its parts.
Directed by Patrick Hughes, The bodyguard of the hitman’s wife stars Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Antonio Banderas, Morgan Freeman, Frank Grillo, Caroline Goodall, Rebecca Front, Gabriella Wright, Alice McMillan, Kristofer Kamiyasu, Tom Hopper, Blake Ritson and Richard E. Grant. The film arrives in theaters on June 16.
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